Katherine Heigl as Jane in 27 Dresses
Make-up by Linda Grimes
Katherine Heigl
Updated:Tuesday, December 09th, 2008

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My Make-Up Bag
Dr. Hauschka Moisturizing Day Cream
La Mer Crème de la Mer Moisturizing Cream
Napoleon Perdis Auto Pilot Pre-Foundation Primer
Clé de Peau Beauté Color Control Foundation
Clé de Peau Beauté Concealer
Laura Mercier Secret Camouflage
Yves Saint Laurent Touche Éclat
Clé de Peau Beauté Face Powder
Dr. Hauschka Translucent Face Powder
Laura Mercier Secret Brightening Powder
Vincent Longo Water Canvas Blush
Stila Convertible Color
Paula Dorf Eye Primer
CHANEL Intensites D'Ombre Eyeshadow Trio
Givenchy Le Prisme Yeux Quatuor
Dior 5 Couleurs Eyeshadow Palette
M.A.C. Fluidline
Paula Dorf 2+1 For Brows
Fresh Lip Pencil
L'Oréal Color Juice Sheer Juicy Lip Gloss
Dr. Hauschka Lip Balm
By Kelly Wilbanks

Katherine Heigl is a knockout when she’s not getting knocked up. So make-up artist Linda Grimes had her hands full making the stunningly gorgeous Heigl into a plain-Jane bridesmaid. In 27 Dresses, Heigl’s character—who’s actually named Jane—begins with a solid, dependable look. As she emerges from her shell over the course of the film, however, her features are intensified with a stronger lip color or a more defined eye. “I gave her a sophisticated, understated look,” Grimes said. In a scene featuring an Indian wedding, Jane’s dress and the setting are more exotic than usual. Her look had to work with her bridesmaid obligations, but, said Grimes, “There was a little room for fun. I wanted to show Jane off as shimmery and colorful.” 
      
Because Grimes sympathizes with actors who spend long hours each day getting their hair and make-up done, she tries to be as organized as possible. She says she has her products laid out, mixed, in order and ready to go on her palette to minimize chair time as much as possible. “Some days I timed my trailer time at 24 minutes with [Heigl], but I would say the average was 35 minutes,” she said. Lip pencil and gloss were always saved for a last look on set.
     
During filming, meanwhile, Grimes tried to get behind the camera as much as possible to watch footage and make necessary corrections for the next day. “As a make-up artist, DVDs on a monitor do not translate as well,” she said. “Maybe it’s good for hair, but not for the nuances of make-up.”
      
Grimes left us with a final movie make-up tip: “Generally I like to prep the skin and start with the eye, the eye make-up, first. I find that if I do that, I use less on the overall face—the rest of the face comes into focus more readily.”
Skincare
Dr. Hauschka Day Cream, Crème de la Mer eye cream
Foundation
Napoleon Perdis Pre-Foundation Skin Primer; Clé de Peau Color Control Foundation in Teint Naturel Blanc, mixed with Teint Naturel Crème in 110, 020 and B20
Concealer
Clé de Peau Concealer in Beige, Laura Mercier Secret Camouflage No. 1, Yves Saint Laurent Touché Eclait
Powder
Clé de Peau Face Powder (loose, a soft rose); Dr. Hauschka Face Powder (loose, a pale yellow) and Laura Mercier Secret Brightening Powder
Blush
Vincent Longo Water Canvas Blush in Savannah Fresh, Stila Convertible Color in Peony and Petunia
Eye Shadow
Paula Dorf Eye Primer, Chanel Intensities in Prunes, Givenchy Prismissime in Sweet Chocolate, Dior Five-Colour Eye Shadow #970/Stylish Move
Eye Liner
M.A.C. Fluidline Dipdown and Blacktrack
Brows
Paula Dorf Brow Duet in Blonde
Lips
Fresh Lip Pencil in Gypsy Rose, L’Oreal Color Juice gloss in Grape Soda, Dr. Hauschka Lip Balm


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